Do women authors get overlooked for the major crime fiction awards?
Are they less likely to be reviewed by the most prestigious media
outlets? Those questions prompted Charlotte MacLeod, Kate Mattes, Betty
Francis, Dorothy Salisbury Davis, Sara Paretsky, Nancy Pickard and Susan
Dunlap to form Sisters in Crime (SinC)
at the annual Edgars Week in 1987. The original aim was to promote the
professional development and advancement of women crime writers to
achieve equality in the industry, but the organization now includes a
few "brothers in crime," too.
SinC continues its original mission but also has added newsletters,
regional chapters, conference support, annual reports, networking, and
mentoring. They also like to have a little fun, which is why this month
there is a Sisters in Crime Blog Hop,
where authors pick from a few questions and go from there. A couple of
those questions intrigued me in particular, so I thought I'd take a stab
at them. (Yes, a crime fiction author using "stab" is an intended pun,
but no blogs were harmed in the making of this post. I think.)
First, "Which male authors write great women characters? Which female authors write great male characters?"
I never ceased to be amazed at how some readers (maybe a few authors,
too), think that it's impossible to write the POV of the opposite
gender well. An author spends his/her entire creative experience using
their powers of observation and hopping into the minds of good guys and
bad guys alike. So why should writing an opposite-gender character be an
impossible task? I must admit this question is near and dear to my
writing heart, because one of my main protagonists is Scott Drayco, a
former pianist turned FBI agent/consultant. I'll also admit there is a
wide range of effectiveness in this realm, but good examples aren't hard
to find. Here are a few:
Women writing men? Back in the Golden Age, Ngaio Marsh started a
series with Detective Chief Inspector Roderick Alleyn. P.D. James has
had tremendous success with her Inspector Adam Dalgliesh series, as has
Martha Grimes with Inspector Richard Jury, and Ruth Rendell with Chief
Inspector Reginald Wexford. More recently, Tana French created memorable
characters via her Dublin Murder Squad Detectives Frank Mackey and
Stephen Moran, and Karin Slaughter with her GBI Special Agent Will Trent
series. Not surprisingly, many of these do tend to be procedurals,
where the detective ranks have often been the purview of men.
Men writing women? These are a bit harder to find. Steig Larsson
featured Lizabeth Salander in his Millennium Trilogy, although some
might argue her character was hardly a typical female role. John
Sandford wrote a series with the noirish Clara Rinker, an assassin for
hire. Jeffery Deaver penned three novels featuring California Bureau of
Investigations body language expert Agent Kathryn Dance. Christopher
Darden and Dick Lochte teamed up for books featuring Nicolette (Nikki)
Hill, a 30-something black prosecutor in Los Angeles, California. There
does seem to be a bit of a pattern here, too – the women characters men
write often tend to be of the "kick ass" variety.
Second question, "Do you listen to music while writing? What's on your playlist?"
I'll add what I included in a Q&A with D.A. Bale.
My protagonist, Scott Drayco, is a former classical pianist whose
career was cut short by violence, which is what steered him toward law
enforcement instead. Why make him a pianist? I started out with violin
lessons at age 3, piano at age 7 (studied for 12 years), and after
various other instruments and voice lessons later, I’d earned two music
degrees. You’d think such a background means I listen to music when I
write, but I find it impossible. To me, music is a foreground
experience, especially with classical forms, and listening while writing
is too distracting. I often listen *before* I write, though! Not
surprisingly, I enjoy music-themed mysteries, and if you're a fan of the
subgenre, too, check out this Mystery Readers Journal issue with some examples.
Part of the SinC blog hop is to "tag" other authors you might be
interested in, so I thought I'd include some fellow Friday's Forgotten
Books folks, namely:
Patti Abbott, who just signed a contract with Polis Books for her upcoming novel Concrete Angel and blogs here.
Hilary Davidson, author of the Lily Moore series and recent standalone thriller, Blood Always Tells, and who maintains an author blog.
Terrie Farley Moran, whose debut novel Well Read, Then Dead was published this July by Berkeley Prime Crime, and who blogs at both Women of Mystery and Criminal Element.