I want to thank a couple of readers of Played to Death who pointed out something that seemed to be an error but was more a miscommunication on my part. It's a good case in point of how sometimes the vision in a writer's mind doesn't make it to the page in a coherent way.
In Played to Death, Scott Drayco says that the first time he sat at a piano when he was a small child, he picked out Count Basie's "Take the A Train." Now, the classic jazz piece was composed by Billy Strayhorn, who played piano and wrote arrangements for Duke Ellington's band. But what I didn't point out was that Drayco had heard the piece in the later Count Basie version. My grandfather was a drummer in a Dixieland band, and Basie was also a drummer, so that seemed fitting. Plus, Basie learned how to play the piano from his mother, just like Drayco did.
Anyway, here's the original Duke Ellington version, followed by Count Basie's version and finally Oscar Peterson's solo piano version, which would be more like what Drayco played (in fact, it's fun to image a young Drayco, his feet not able to reach the floor, playing this piece):
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