It's hard not to be cheered by this video featuring Luciano Pavarotti (who was one of my favorites) and an unusual singing partner:
It's hard not to be cheered by this video featuring Luciano Pavarotti (who was one of my favorites) and an unusual singing partner:
Perhaps it was due to her own family's 19th-century Irish immigrant background that many of her protagonists had strong ethnic identities, including an Italian rose-fancier, Glendale police Detective Vic Varallo; New England Sergeant Andrew Clock of the LADP and his sidekick, the Jewish lawyer and amateur detective Jesse Falkenstein, who quotes the Talmud; and Sergeant Ivor Maddox, a Welsh bachelor assigned to Hollywood's Wilcox Avenue station.
Her most successful creation was written under her Dell Shannon name, the dapper Mexican-American LAPD Lieutenant Luis Mendoza, who first appeared in Case Pending, as well as one of her other Edgar-nominated works, Knave of Hearts. Sometimes called the "Queen of the Procedurals," Lininger/Shannon among the first women to write in the police procedural genre, as well as one of the first to feature a Latino police officer.
Some critics have pointed out that Linington/Shannon's earliest works were her best, with more attention to detail and craft, but as she started cranking out as many as four books a year, the quality began to suffer, throwing in more cliches and pot-boiler touches. George N. Dove, author of such nonfiction books as The Reader and the Detective Story, pointed out that Linington/Shannon eventually settled down into a formula characterized by a remarkable number of storylines representing the number of cases on which her police officers like Mendoaza are employed (as many as 24 in Spring of Violence), with one main case surrounded by the other unrelated ones in various stages of investigation.
Mendoza is a single detective, just shy of middle age, when he makes his first appearance in Case Pending, but his character is developed throughout the thirty-eight books published over twenty-seven years. He has an inexplicable attraction to women, since he's not unusually handsome, and often finds their attention to be a personal and professional nuisance. He grew up poor and became a gambler to survive before he ultimately joined the police and was surprised by inherited wealth from his miser grandfather. He has a fondness for racy cars, high-stakes poker, and his Abyssinian cat, Bast, eventually settling down to marry Alison Weir in the early novels (Shannon wasn't shy about killing off characters, so suffice it to say, the cast of characters surrounding him tends to change).
In Death of a Busybody (first published in 1963, but reissued as a Mystery Guild selection by Doubleday in 1988), Margaret Chadwick is the snoop in question, a serious flaw for someone who had money and a pedigree. When she turns up dead, no one seems to care, something Mendoza begins to understand more clearly as he realizes the extent of the damage this one women did—pitting husbands against wives, children against parents, and sewing seeds of jealousy, suspicion and hatred like other people sew tulips and daffodils. But when a second body turns up, killed on the same night in the same way, things get a little murkier. Unlike her later "formulaic" novels, Busybody focuses on one case only, and even has Mendoza pull the main players together at the end for the "reveal," deciding he "wants to handle it the way they do in the detective novels."Shannon may have been called the "Queen of the Proceedurals" and compared to masters such as Ed McBain and John Creasey, but by her own admission, she based her knowledge of police routine and law not on direct experience but on the basic texts used by police departments themselves and took plots from detective magazines. By today's standards, that makes for a more genteel investigation, but she manages some interesting character development and snappy dialogue. It's interesting to see her multi-layered handling of racial, gender and sexual prejudices and roles, themes that are just as prevalent and volatile today as they were back when she was writing this, some sixty years ago in 1962-63.
The Frozen People by Elly Griffiths has been announced as the winner of Theakston Old Peculier Crime Novel of the Year 2026, the UK and Ireland’s most prestigious crime fiction award. The award was presented by Harrogate International Festivals at a special ceremony hosted by writer and broadcaster, Steph McGovern, on the opening night of the Theakston Old Peculier Crime Writing Festival, Thursday, July 23.
The other finalists include: The Midnight King by Tariq Ashkanani (Profile Books, Viper); The Death of Us by Abigail Dean (HarperCollins, Hemlock Press); Beautiful Ugly by Alice Feeney (Pan Macmillan, Pan Fiction); Clown Town by Mick Herron (John Murray Books, Baskerville); and Quantum of Menace by Vaseem Khan (Bonnier Books, Zaffre).
Also announced was the McDermid Debut Award, named in recognition of iconic crime writer Val McDermid, which was won by Frances Crawford for A Bad, Bad Place. In addition, playwright Mel Pennant was awarded "Highly Commended" for A Murder for Miss Hortense.
The other presentation of the evening featured bestselling US novelist David Baldacci receiving the Theakston Old Peculier Outstanding Contribution Award in recognition for his exceptional contribution to the crime thriller genre, honoring a remarkable career that has captivated millions of readers worldwide and helped shape modern suspense fiction. Baldacci is the latest in a line of acclaimed authors to have received the coveted award, with previous winners including Sir Ian Rankin, Lynda La Plante, James Patterson, John Grisham, Lee Child, Val McDermid, P.D. James, Michael Connelly, Martina Cole, and last year’s recipient, Elly Griffiths.
The winners of the Shirley Jackson Awards for outstanding literary achievement in psychological suspense, horror, and the dark fantastic were announced last week. The top nod in the Best Novel category was Bat Eater and Other Names for Cora Zeng: A Horror Mystery of a Chinese American Crime Scene Cleaner, Serial Killers and Hungry Ghosts by Kylie Lee Baker. The supernatural crime novel was also listed as one of the New York Times' "100 Notable Books for 2025."
The deadline of July 31 is fast approaching to apply for the $2,000 Sisters in Crime Pride Award for Emerging LGBTQIA+ Crime Writers. Interested authors do not need to be a SinC member to apply, but applicants must not have published more than ten short pieces of fiction or two novels. Authors should submit a cover letter, biographical statement, and a short story of first chapter(s) of a manuscript-in-progress of 2,500 to 5,000 words and must not have not used generative AI to write, research, or brainstorm the work. For more information, follow this link.
July 31st is also the deadline to submit a short story for publication consideration in the latest anthology from the Malice Domestic conference. Stories should be in the traditional mystery vein, be no more than 5,000 words, and fit the theme of "Murder Most Musical." No generative AI should be used in the creation of the work. For more information, check out the official website.
One hundred years after the death of author Israel Zangwill (1864–1926), the Victorian Jewish Writers Project will be hosting an online symposium examining Zangwill’s writing, public career, and legacy on August 4th at noon (ET). Among Zangwill's works is the locked-room novel The Big Bow Mystery (1891), which served as the basis for three Hollywood film versions, and the short stories "Cheating the Gallows" (1893) and "The Memory Clearing House" (1892). He was sometimes called "the Dickens of the ghetto" for his stories of life in London's immigrant Jewish community. (HT to The Bunburyist)
Mystery Writers of America's SoCal chapter (in partnership with SoCal Sisters in Crime), is sponsoring a panel on Wednesday, September 9, at 7pm at the Skirball Cultural Center in Los Angeles, California. Titled "Inventing the Page," the event will feature Meg Gardiner (the Evan Delaney novels), Jordan Harper (TV screenwriter and author of She Rides Shotgun), and Tess Gerritsen (Rizzoli & Isles) talking about their writing and how inspire newer authors with their insights. Follow this link for registration information.
Joseph S. Walker, President of the Short Mystery Fiction Society, announced in the organization's newsgroup that Murderous Ink Press and editor John Connor will soon be launching SMFS Mystery Magazine. Current plans call for three issues a year, offering fiction, essays, interviews, and reviews highlighting the work of the organization's writers. The release of the first issue is scheduled for October, in time for the Calgary Bouchercon, and will include fiction from Ginny Swart, Eve Fisher, S. B. Watson, Vinnie Hansen, Jim Guigli, Kevin R. Tipple, Ed Teja, and Nikki Knight; interviews from Kevin Tipple and M. E. Proctor; an essay by N. M. Cedeno; and reviews by June Lorraine Roberts and Mat Coward.
Editor Janet Rudolph is seeking articles, reviews, and author essays for the next issue of Mystery Readers Journal. The theme is "cross-genre fiction," which blends the themes, tropes, and conventions of two or more distinct literary genres such as science fiction, fantasy, and Westerns that retain a central investigation or puzzle at its heart. However, she's not looking for historical mysteries, as there have been five historical mystery issues of the journal on that theme. The deadline for submissions is August 20, 2026. For more information, click on over here.
The editors of CrimeReads selected their list of fourteen of the best classic crime fiction reissues this summer. They range from Yukito Ayatsuji's The Clock House Murders, translated by Ho-Ling Wong (Pushkin Vertigo) to Georges Simenon's The Man Who Watched Trains Go By, translated by Siân Reynolds (Picador) to Three Crime Novels: Bone in the Throat, Gone Bamboo, and The Bobby Gold Stories by Anthony Bourdain (Bloomsbury).
This week's crime poem up at the 5-2 Crime Poetry Weekly is "Forever Chemicals" by JK Miller.
In the Q&A roundup, Jackie McMahon applied the Page 69 Test to her novel, The Cloak and Dagger Club, the first in a new historical mystery series; ahead of his appearance at the upcoming St Hilda's conference, author Ajay Chowdhury (of the Detective Kamil Rahman series) spoke with Shotsmag Confidential about his writing and latest standalone thriller, Eden Falls; Allison Montclair, author of the Sparks and Bainbridge mysteries, also applied the Page 69 Test to her latest novel, Fire Must Burn; and Shotsmag Confidential chatted with Martin Edwards, former Chair of the Crime Writers Association and current President of the Detection Club as well as a bestselling author and editor, about editing Guilty Secrets, the latest Crime Writers Association anthology.
I never cease to be amazed by child prodigies. By now, you've hopefully had the chance to hear violinist Joshua Bell as an adult, but here's a peek at what he sounded like as a youngster way back in 1982 at a master class with Josef Gingold: