Author R&R with Michael Landweber

 

Michael Landweber has worked as a copy editor at the Japan Times, as an editorial assistant at the Associated Press, and worked for the White House Office of National Drug Control Policy and for the State Department. He also served as Associate Director for a non-profit called Partnership for a Secure America, which promotes bipartisanship in foreign policy and national security. His short stories have appeared in literary magazines such as Gargoyle, Fourteen Hills, Fugue, Barrelhouse, and American Literary Review. He is an Associate Editor at Potomac Review and a contributor for the Washington Independent Review of Books.

His new novel from Crooked Lane Books is The Damage Done, set in an Earth where violence has suddenly and inexplicably become a thing of the past. Fists can’t hit, guns don’t kill, and bombs can’t destroy. The U.S. president must find a new way to wage war. The Pope ponders whether the Commandment “Thou Shalt Not Kill” is still relevant. A dictator takes his own life after realizing that the violence he used to control his people is no longer an option.

In the first days after the change, seven people from different walks of life—who have all experienced violence—struggle to adapt to this radical new paradigm. As their fates intertwine, the promise and perils of this new world begin to take shape. Although violence is no longer possible, that doesn’t mean that some among us won’t keep trying. Mindless cruelty is still alive and well, and those bent on destruction will seek the most devious means to achieve it.

Michael Landweber stopped by In Reference to Murder to take some Author R&R about researching and writing the book:

My approach to research is low key and ad hoc. Of course, I think research is important. If you are writing a novel about 16^th century France, you better study up. You weren’t there. Similarly, if your book is a military thriller that mainly takes place on a submarine, you’re going to need to learn a little something about submarines. But those are not the novels I write. So, in my own work, I believe research is important when necessary. The key is knowing when you don’t know what you need to know.

I often describe my books as literary fiction with a Twilight Zone twist. I start with a what-if question. What if you got trapped inside the brain of your younger self? What if time stopped and you were the only one not frozen? What if teleportation was a commercial means of transportation? And my most recent novel, The Damage Done, presents a world where violence is no longer possible. As you can see, most of my work hinges on ideas that are not particularly researchable.

Take my last book, The In Between, in which a couple loses their son while teleporting to Japan. When I started the book, I was very curious about whether anyone thought teleportation was even possible. (I would also note that good research is only successful if you are actually curious about the topic you are researching.) Turns out that subatomic particles may be able to teleport in quantum computing. That’s cool. But not that helpful for my story of losing a child somewhere between Omaha and Tokyo. So that was a research rabbit hole I didn’t go that far down.

And that maybe is my main thought about research. The assumption is that every effort is a deep dive. But for me research can be quite limited and still valid. The goal for me is not to become the expert in every aspect of every thing I write about. Most of what I need to research does not require an extensive bibliography or interview schedule. My goal is to immerse the reader in the story I’m telling. So for me, research tends to be a series of targeted jobs. In and out, find out what I need, no fuss.

That doesn’t mean I’m not obsessive about what I’m writing. I spend countless hours making sure that the rules I’ve created for my worlds are airtight. In The Damage Done that meant creating a mental catalogue of all the ways people commit violence against each other and countering each with a creative way to thwart it. The time that I might have been reading reference books or chatting up experts is instead wiled away in an internal debate over things like whether bumping into someone purposefully on a subway platform constitutes a minor act of violence. There was research to be done, things I needed to know like how to make a Molotov cocktail or where people cross the Rio Grande. But each time I discover one of those factual stumbling blocks, I find what I need with as much efficiency as I can muster. I don’t linger.

So maybe that’s my true mantra on research. No loitering.

But who knows? Maybe I’ve got a historical novel or a submarine thriller in me somewhere that will require a more methodical style of research. For now though, I’m sticking with my need to know approach.

 

You can learn more about Michael and The Damage Done via his website and follow him on Facebook, Twitter, and Instagram. The Damage Done is available from Penguin Random House via all major booksellers in ebook, print, and audiobook formats.