Rich Zahradnik was a journalist for 30-plus years working as a reporter and editor in all major news media, including online, newspaper, broadcast, magazine and wire services. He held editorial positions at CNN, Bloomberg News, Fox Business Network, AOL and The Hollywood Reporter. He's also the author of the Coleridge Taylor Mystery series (A Black Sail, Drop Dead Punk, Last Words). The first three books in the series were shortlisted or won awards in the three major competitions for books from independent publishers. A Black Sail was named best mystery in the 2017 Next Generation Indie Book Awards and a finalist in the 2016 Foreword Reviews Book of the Year Awards. Drop Dead Punk collected the gold medal for mystery ebook in the 2016 Independent Publisher Book Awards, while Last Words won the bronze medal for mystery/thriller ebook in the 2015 IPPYs and honorable mention for a mystery in the Foreword Reviews competition.
The latest series installment, Lights Out Summer (Camel Press), is set in March 1977, when ballistics link murders going back six months to the same Charter Arms Bulldog .44, and a serial killer, Son of Sam, is on the loose. But Coleridge Taylor can’t compete with the armies of reporters fighting New York’s tabloid war—only rewrite what they get. Constantly on the lookout for victims who need their stories told, he uncovers other killings being ignored because of the media circus. He goes after one, the story of a young Black woman gunned down in her apartment building the same night Son of Sam struck elsewhere in Queens. The story entangles Taylor with a wealthy Park Avenue family at war with itself. Just as he’s closing in on the killer and his scoop, the July 13-14 blackout sends New York into a 24-hour orgy of looting and destruction.
Rich stops by In Reference to Murder today to talk about writing and research Lights Out Summer:
Researching the Coleridge Taylor Mysteries changed in a big way in 2014—in both interesting and embarrassing fashion. Sometime before then, I’d put on my gift list the massive “The New York Times: The Complete Front Pages 1851-2009.” The tome included three DVDs—remember those?—containing 54,693 front pages linking to complete articles.
Taylor is a reporter who always has an acute awareness of the other stories going on around him. He reacts to news and how it’s covered even when it’s not his story. The novels are set in the seventies. From a storytelling standpoint, a headline from a certain day can give readers a feel for the period—or remind them of a crime or political event or cultural incident they’d forgotten and perhaps echoes what’s happening today.
Right, so that’s why I needed the book. My wife gave it to me for Hanukkah. The cost of the giant thing was somewhere between $125 and $165. Within months, the New York Times announced online subscribers would have access to TimesMachine, an online archive of complete issues of the paper as they originally appeared going back to 1865. I never did put one of those DVDs into my computer. You can now buy the DVD/book package on Amazon for $8.27.
I am well past my embarrassment. (The Times could have given me some warning, though.) TimesMachine is indispensible. I can go deeper to see the stories beyond the front page. The ads, too. This helps for all the reasons I mentioned above. And others. My new mystery, Lights Out Summer, is set in 1977 and an important set piece in the plot is the New York blackout of July 13-14. No book was written about those terrible 25 hours when thousands of businesses were looted and destroyed. But I could read all of the articles the Times published during and in the aftermath of the stealing, fires and vandalism. (The Times itself pulled off a miracle by sending editors over to Jersey and getting the paper out.) I’ll admit, the TimesMachine is particularly helpful to me because my books are set in New York, so I can track local politics, cultural and crime. Tidbits are sprinkled throughout the novels.
Each of my books involves a major New York historical event in the plot: the city’s near bankruptcy, the Bicentennial celebrations, Son of Sam’s murder spree. And for each, I’ve found at least a couple of books to go deep on the subject even if the event—like the Bicentennial—serves as a backdrop to the crime story. For “Lights Out Summer,” I was greatly aided by “Son of Sam: Based on the Authorized Transcription of the Tapes, Official Documents and Diaries of David Berkowitz” by Lawrence D. Klausner and “Son of Sam: The .44 Caliber Killer” by George Carpozi Jr. I learned of an earlier New York serial killer, 3X, from the wonderful “Police Reporter: Forty Years One of New York’s Finest Reporters” by Ted Prager. That book also gave me insights into what Taylor’s job was like for one or two generations of reporters before him.
A collection of general histories, timelines and atlases of New York rounds out my library.
Oh, and one last reference is indispensible: “Billboard Top 10 Singles Charts, 1955 to 2000.” Music triggers memories in readers. The seventies were a period of massive change as disco, punk, hairband rock and the sixties survivors fought for listeners’ attention. I could easily pick out a song I remember from 1977 and drop it in. But the charts show me what tunes were hot in a particular week—adding a nice level of detail. They also remind me of songs and bands I’d forgotten.
Disco-Tex and the x-O-Lettes anyone?
You can learn more about Rich and his books via his website and follow him on Twitter, Facebook, and Goodreads. Lights Out Summer is available via all major book retailers.
