Author R&R with Charles Salzberg

Charles Salzberg has been a Visiting Professor at the S.I. Newhouse School of Public Communications at Syracuse University, and has taught writing at Sarah Lawrence College, Hunter College, the Writer's Voice, and the New York Writers Workshop, where he is a Founding Member. His freelance work has appeared in such publications as Esquire, New York Magazine, GQ, Elle, Redbook, Ladies Home Journal, The New York Times, and the Los Angeles Times Book Review. He's also the author of the Henry Swann detective series: Swann Dives In; Swann's Last Song, which was nominated for a Shamus Award for Best First PI Novel; and Swann's Lake of Despair.

In his latest book, Canary in the Coal Mine, PI Pete Fortunato works out of a friend’s real estate office after spending a mysteriously short, forgettable stint as a cop in a small upstate New York town. He lives from paycheck to paycheck, so when a beautiful woman wants to hire him to find her husband, he doesn’t hesitate to say yes.

Within a day, Fortunato finds the husband in the apartment of his client’s young, stud lover—shot once in the head, case closed. But when his client’s check bounces and Albanian gangsters kidnap him in hopes he’ll lead them to a large sum of money the dead man allegedly stole, he begins to realize he’s been set up to take the fall for the murder and theft. In an attempt to get himself out of a jam, Fortunato winds up on a wild ride that takes him down to Texas where he searches for his client’s lover who he suspects has the money and holds the key to solving the murder.

Charles Salzberg stopped by In Reference to Murder to take some Author R&R about researching and writing the book:

 

Researching: My Dirty, Little Secret

Years ago, I became friends with a guy I met when we worked the two lowest jobs at New York magazine. I was in the mailroom; he worked the photostat machine. Both aspiring writers, we quickly bonded and formed a writer’s group. A year or two later, his first novel was picked up by a prestigious publisher and he was, understandably, over-the-moon.

In his novel, which takes place in Alabama where he grew up in the late ‘50s and early ‘60s, he mentions blue mailboxes. One day, he gets a call from the copyeditor informing him that during that era all mailboxes around Mobile were grey. They asked him to change it.

It seemed silly to me at the time. It’s fiction, right? So, what difference does it make if the mailboxes in his novel are blue or grey or polka-dot?

Over the years, as I began to get my own novels published, I realized it wasn’t silly at all. Facts do matter, even in fiction and there’s a practical reason why they do. What writer hasn’t received an email from a reader that goes something like, “I read your book and loved it, but on page 137 you said that 88^th Street runs east but it really runs west...”

That’s not the only reason accuracy is important. If readers can’t rely on the author to get facts right, it renders the whole work suspect.

Case in point. Bob Dylan’s memoir, Chronicles. On the first page, Dylan writes, “…then down to Jack Dempsey’s restaurant on 58^th and Broadway…” Only Dempsey’s wasn’t on 58^th Street, it was on Broadway between 49^th and 50^th streets (I used to pass it every day one summer when I worked as a messenger in the Garment District). If Dylan and his editors can’t get this fact right, how can we trust anything Dylan writes?

This is one reason why doing research, even when it comes to fiction, is essential.

Back when I was making a living as a magazine journalist, I developed my own approach to research. The temptation, especially when starting out, is to research the heck out of everything. But I soon learned there’s a risk with over-researching. The result can be that you get so bogged down in research that when it comes time to write the article, you’re overwhelmed to the point of freezing up, not knowing how you’re going to squeeze everything into your 2,000-word limit. So, you quickly learn to limit the amount of research you do.

I found the less research I did the better interviewer I became. If I knew too much about a subject going into the interview, I ran the risk of not asking the right questions, because I already knew the answers. Instead, I’d keep asking questions until I reached the point where I could successfully channel that information into prose my readers could understand.

I have friends who do just the opposite. They’re more comfortable doing heavy research. Their argument, and it’s a valid one, is that the more they know the less likely they’ll “miss” something important to ask. There’s no right or wrong, but rather it’s a matter of style.

When it comes to fiction, the goal is to create a world that makes sense, while at the same time keeping readers turning pages to find out what’s going to happen next. The last thing you want is readers getting stuck on that “fact” that’s not true, like where Jack Dempsey’s restaurant really was.

And so, if you’re wise, you’re obliged to get the facts right. In Canary in the Coal Mine, for instance, Pete Fortunato, a down and out PI, runs afoul of the mob. I needed to find a group that was especially violent and ruthless. The only way to do that was to research, which ultimately led me to the Albanian mob, a group so violent and unpredictable that even the Mafia won’t deal with them.

Fortunato suffers from anger management issues and insomnia (not a good combination). So, I had to research anger management groups to see the kinds of exercises he would have been put through. I also quizzed friends who suffer from insomnia to find out what that’s like.

For me, research often has to do with geography. I like writing about places I’ve never been—so Wikipedia, Google and Google maps come in very handy. My first crime novel, Swann’s Last Song, was written before the Internet was around. I wanted parts of the novel to take place in Los Angeles, the wilds of Mexico and Berlin. Only trouble was, I’d never been to any of those places. So, I interviewed friends who’d been there. I pored over maps. I read magazine articles. And then I sat down and plunked Swann into those places.

My best friend, who’d actually been to L.A. read the manuscript and asked, “When were you in L.A.?” “Never,” I replied. “Then how did you capture it so well?” Easy. Research. And after the book came out, I was invited to a small book club. One of the women, who was from Mexico, said to me, “you really got the Mexico part so well. When were you there?” She was surprised when my answer was, “Never.” And I can thank the research I did for that.

Oh, in case you’re wondering, I did absolutely no research for this essay.

 

You can learn more about Charles Salzberg at his website and follow him on Facebook, Twitter, and Instagram. Canary in the Coal Mine is now available via Down & Out Books and is available in digital and paperback formats in all major online and brick-and-mortar bookstores.

Author R&R with Vicki Delany

Vicki Delany is one of Canada’s most prolific and varied crime writers and a national bestseller in the U.S. She has written more than forty books, from clever cozies to Gothic thrillers to gritty police procedurals, to historical fiction and novellas for adult literacy. She is currently writing four cozy mystery series: the Tea by the Sea mysteries for Kensington; the Sherlock Holmes Bookshop series for Crooked Lane Books; the Catskill Resort mysteries for Penguin Random House; and the Lighthouse Library series (as Eva Gates) for Crooked Lane. Vicki is a past president of the Crime Writers of Canada and co-founder and organizer of the Women Killing It Crime Writing Festival, and she is also the recipient of the 2019 Derrick Murdoch Award for contributions to Canadian crime writing. 

Delany's latest novel, Deadly Summer Nights, is the first installment in a new historical cozy series. It’s the summer of 1953, and Elizabeth Grady is settling into Haggerman’s Catskills Resort. As a vacation getaway, Haggerman’s is ideal, and although Elizabeth’s ostentatious but well-meaning mother is new to running the resort, Elizabeth is eager to help her organize the guests and the entertainment acts. But Elizabeth will have to resort to untested abilities if she wants to save her mother’s business. When a reclusive guest is found dead in a lake on the grounds, and a copy of The Communist Manifesto is found in his cabin, the local police chief is convinced that the man was a Russian spy. But Elizabeth isn’t so sure, and with the fate of the resort hanging in the balance, she’ll need to dodge red herrings, withstand the Red Scare, and catch a killer red-handed.

Vicki stops by In Reference to Murder to talk about writing and researching her books:

 

Researching the 1950s is surprisingly easy. After all, so many people still alive were there. I will confess that even I was there, although not paying attention to the political and social customs and issues of the time.

When I set about writing the first in my Catskills Summer Resort mysteries, I had a wealth of information to draw upon. There are hundreds of movies made during the time period available on streaming networks or YouTube. Not historical re-enactments in the style of Bridgerton or Outlander, but movies that were contemporary when they were filmed.

I loved watching Fred Astaire and Ginger Rogers dancing, Esther Williams in the water, gritty hard-boiled detectives like Sam Spade in the Maltese Falcon (although that was made in 1941). Movies are a fantasy, sure, but they are also reflective of their times. Nightly entertainment in a grand fashion was a key part of vacationing at the big hotels in the Catskills, so that forms an important part of my book and some key scenes are set in the ballroom. I watched the dance movies to help set the mood in the ballroom of my Catskills Hotel. I listened to big band music by the likes of Glenn Miller. I studied the clothes, the furniture, the tilt of a cigarette in the mouth of a sophisticated woman and watched peoples’ expressions and listened to the slang or formal speech patterns. 

All of which helped me, I hope, to create the feel of the times, particularly in those minor but important details such as the cut of a character’s dress or her hair style or what she might order from the bar.

People who were there often say the most important part of any Catskills vacation was the food, both quality and quantity. Thus, descriptions of food are vital in the book for helping set the mood. I read a lot of cookbooks from the era and looked at design magazines, many of which are available online. I can’t say I tried cooking anything I read about though. Jell-O salads with canned pineapple just doesn’t appeal.

As for the specific history of the Catskills at the time of the famous resorts, there’s a lot of first-hand information available. Family vacation shots and publicity photos are easy to find on the Internet. And a photo, as has been said, is worth a thousand words. 

But when an old picture isn’t enough, many people have very fond memories of the times they spent at the great hotels, or cheap bungalow colonies, either as guests or as employees, or children of owners and employees.  “Mountain Rats” the latter called themselves and have written about it. 

I relied on Growing up at Grossinger’s by Tania Grossinger, Catskills Culture by Phil Brown, and It Happened in the Catskills by Myrna Katz Frommer & Harvey Frommer as sources.

The Catskills in the 1950s:  girdles and stockings, fancy cocktails, grand ballrooms, cigarette smoke (and more cigarette smoke), angel food cake and Cheez Whiz on celery sticks, Reds under the beds and slow-moving fans. Comedians and big bands and glamorous singers. Paddle boats and bellhops, tomato cocktails and Jell-O salads, swimsuit competitions and unattended children.

I hope you’ll take a trip back in time with Elizabeth Grady and Olivia Peters and enjoy your time at Haggerman’s Catskills Resort. It is, after all, 1953.  Now, please light me another cigarette and then fetch me a martini, while I help myself to a slice of that pineapple upside down cake.

 

You can learn more about Vicki Delany and her books via her website, and follow her on Facebook, Twitter, Instagram, Pinterest, and Goodreads. Deadly Summer Nights will be launched tomorrow and available via all major booksellers.

Author R&R with Lorie Lewis Ham

Lorie Lewis Ham lives in Reedley, California and has been writing ever since she was a child. Her first song and poem were published when she was thirteen, and she has gone on to publish many articles, short stories, and poems throughout the years, as well as write for a local newspaper and publish six mystery novels. For the past eleven years, Lorie has been the editor-in-chief and publisher of Kings River Life Magazine, and she also produces Mysteryrat’s Maze Podcast.

Her latest novel, One of Us, is the first in the new Tower District Mystery Series set in Fresno's dining, arts, and entertainment hub. It centers on children’s book author, Roxi Carlucci, who finds herself starting over again after her publisher drops her book series. With no income, she has to pack up her life on the California Coast, along with her pet rat Merlin, and move in with her cousin, P.I. Stephen Carlucci, who lives in Fresno. 

Stephen talks Roxi into helping out with a community theatre production, which is also a fundraiser for a local animal rescue. Little did she know that someone would be murdered during a rehearsal, and that she and Stephen would be hired to find the killer. The culprit has to be one of Roxi’s new acquaintances, since the theatre was locked at the time of the murder, but no one seems to have a motive. Could the local gossip website hold any clues? Can Roxi and Stephen stop the killer before he strikes again?

Lorie stops by In Reference to Murder to take some Author R&R about writing and researching her novels:
 

My books tend to rely heavily on the old adage “write what you know.” A lot of that comes from the fact that I prefer to sit down and write the first draft without doing a lot of research and editing—then later do what research is needed to fill in the gaps. Writing what I know makes that possible. I am very much a pantser! The only real exception is information I need for the murder.

My first book series was published in the early 2000s and featured a gospel singing amateur sleuth named Alexandra Walters. I spent over 20 years singing gospel music with my family. It was set in a fictional version of my hometown. The new book, One of Us, is set in one of my favorite local places to hang out in, the Tower District of Fresno, CA.

When I first decided to start a new series, I was going to have my main character Roxi Carlucci run a small animal rescue—I ran one out of my home for over 10 years. But by the time I actually got around to working seriously on the first book, the mystery book world had been flooded with books involving animal rescue, so I decided to change things up a bit—although there is an animal rescue connection in the book. The plot of the book involves community theatre—something else I have a connection to. And by the end of the book, Roxi becomes a podcaster—something I have been doing for the past three years with my podcast, Mysteryrat’s Maze.

Roxi also works as a part time P.I. with her cousin Stephen, which isn’t something I have done, but it is something I did a lot of research on for my first series in which Stephen also appears. The Carlucci family has ties to the Mafia, something I also did a great deal of research on for my first series. Now saying I did research into those things may seem to contradict what I first said, but the difference is that they were things I already had an interest in and already knew something about.

When it comes to the mystery side of things there is still a certain amount of “write what you know” as well. As soon as I was old enough that I didn’t need my parent’s permission, I went on several ride-alongs with the local police department—partially because I wanted to be a mystery writer, but also because I considered becoming a cop. For those same reasons, I took some Criminal Justice classes at community college—funny enough I knew enough from all of my mystery TV watching and reading that the classes were a breeze.

For the rest of the details of the crime I have a wonderful library of How Dunnit Books and a couple of great resources I can go to and say—“Hey if this happened how do you…?” One is a former chief of police, and the other many of you may know, mystery author D.P. Lyle.

For any other little things along the way, I am thankful for the internet! Especially during a pandemic. While finishing One of Us I went online several times to double check details about the Tower District like street names and business names, since I couldn’t go there in person. So for me, research is mostly what I know and what I already love!
 

You can learn more about Lorie and her book One of Us on her website mysteryrat.com and find her on Twitter and Facebook. One of Us is available on Amazon; for the Nook and paperback on Barnes and Noble.com; and on Kobo. You can also hear an excerpt from One of Us read on the Mysteryrat's Maze podcast via this link.

Author R&R with Larry (and Rosemary) Mild

Rosemary Mild (a graduate of Smith College and former assistant editor of Harper's) and Larry Mild (digital systems and instrument designer for major Government contractors in the signal analysis field), are cheerful partners in crime who recently released Death Rules the Night, their fourth Dan & Rivka Sherman Mystery Series. The Milds are also coauthors of the popular Paco & Molly Mysteries; Hawaii adventure/thrillers Cry Ohana and Honolulu Heat; and three volumes of short stories, many of which appear in anthologies.

Making use of his past creativity and problem-solving abilities, Larry naturally drifted into the realm of mystery writing, where he also claims to be more devious than his partner-in-crime and best love, Rosemary. So he conjures up their plots and writes the first drafts, leaving Rosemary to breath life into their characters and sizzle into their scenes. A perfect marriage of their talents.

In Death Rules the Night, reluctant sleuths Dan and Rivka yearn for a tranquil life as owners of The Olde Victorian Bookstore in Annapolis, Maryland. When copies of a tell-all book on the prominent Atkins family go missing from the bookstore, from all the local libraries, and even from the author's bookshelves, Dan wants to know why. But the price of "why" brings threats, stalking, break-ins—and a brutal murder. He and Rivka fear for their lives.  

The Atkins family secrets are weaving a sinister web. Tom Dwyer, a retired truck driver, is ready to confess to a crime that he and Frank Mulhaney, another driver, committed twenty years ago. Frank plots revenge on Tom. Bookstore clerk, Ivy, hears ugly gossip aimed at derailing her wedding. Will the family secrets finally see the light of day? And will the killer ever be caught?

Larry stops by In Reference to Murder today to take some Author R&R on researching and writing mysteries:

 

A Little Research Goes a Long Way

Researching for a novel can be fun. Who doesn’t like to learn a little something every day? An era of history, a science fact, a bit of poetry, a touch of foreign language, a dash of art, a part of the anatomy—endless tidbits that can enhance and add credibility to what we authors write.

But beware of the consequences that I fell victim to by researching too much. You ask: How much is too much? In my earliest attempts at novel writing, I got so wrapped up in the research, showing off my erudition, that I allowed it to deteriorate my plot. I took the research so far, adding fact after fact, that I had to keep modifying the plot, molding it to the research until I was unsure whether I was writing fiction or nonfiction. My first and second attempts at a novel went south. Did I learn my lesson? Finally, yes. Now I include only the relevant research that fortifies the plot, engages the reader, and moves the story forward.

For years the general guideline has been “Write about what you know”—so you don’t have to delve deeply into a subject where only genuine scholars mine.

Rosemary, my wife and coauthor, and I draw heavily on our own personal experience, but only as a starting point. We’ve published short stories set in countries where we’ve traveled: Japan, Cambodia, Thailand, England, and Italy. But we’ve also ventured into the future with a sci-fi novella. Aside from personal experience, where do we get our research? Like most authors, often we rely on the Internet, the dictionary, and thesaurus. Local newspapers are filled with police beats and extensive accounts of crimes. For a particular setting, the local papers can provide authentic flavor.

Six of our seven mystery novels are set in Maryland, where we lived for most of our married lives. Our newest, just out, is Death Rules the Night, our fourth Dan & Rivka Sherman Mystery. Reluctant sleuths Dan and Rivka, owners of The Olde Victorian Bookstore, find themselves stymied. Copies of a tell-all book about a famous Annapolis family have disappeared from the bookstore, from all libraries, and even from the dead author’s bookshelves. Dan wants to know why. But the price of “why” brings threats, stalking, break-ins—and a brutal murder. He and Rivka fear for their lives. The prominent Atkins family—and their eighteenth-century house—harbor secrets unknown even to the three unhappy sisters living there. As I invented the story, I gave it credibility by incorporating historical research: the fictional Atkins family’s “role” in the American Revolution, the Underground Railroad, and Prohibition, as well as eighteenth and nineteenth century architecture relating to the family house.

How do we keep from going overboard in our research? In Hot Grudge Sunday, our second Paco & Molly Mystery, our detective and gourmet cook are on their honeymoon at the national parks out West. They’d rather smooch than sleuth, but conspirators and thieves disrupt their bliss. Rosemary and I took this fabulous tour ourselves and drew on our own photos, maps, and tour brochures to be accurate. But we had to rein in our research to keep from sounding like a travelogue instead of an edge-of-your-seat mystery. For accuracy, we called a park ranger at Yellowstone and she allowed us to send her a copy of some of our dramatic scenes. In one, we had a suspect’s wrists handcuffed in front of her on the bus. The ranger wrote back, “No way” and corrected other details as well.

My inspirations come from unexpected places. In Death Goes Postal, our first Dan & Rivka Sherman Mystery, I focused the plot on rare fifteenth-century printing artifacts that led to a trail of hair-raising violence. I chose that subject because, in my seventh-grade shop class, I learned about Printing. But as I did the research I needed, I worked hard to build a strong, suspenseful plot and fresh, realistic characters. We created Dan and Rivka as a Jewish couple in their mid-fifties, very much like us in personality. So I wove together what we knew about Historic Annapolis and Bath, England, plus some esoteric research that gave depth to the story. But we took off from there, with a plot involving stalking, kidnapping—and murder.

Of course, I wound up with a pile of factual data I couldn’t possibly squeeze in. Was the time wasted? Yes, in terms of that particular novel. No, in terms of making me a more rounded person. Whatever research I do, it now depends on two words: credibility and enhancement. Will it add either to a gripping plot or to fleshing out the characters?

 

You can learn about the Milds and their books via their website, or follow them on Facebook or LinkedIn. Death Rules the Night is available in print to order from all major booksellers.